SECTIONS
OF
DEPARTMENT
OF
GREEK, ROMAN, AND BYZANTINE
ANTIQUITIES
The
Department consists o the following
sections:
1-
Hall of the Museum: contains the most
beautiful statues discovered in
Latakia, and two mosaics, one
discovered at Shahba and the other at
the district of Hama.
HALL
OF THE MUSEUM
This
hall which is extremely rich in
beautiful statues attracts the
visitors of the Museum. We have
exhibited here some of the
statues discovered at Shahba (Philipolis)
i.e. the city of Philip ( the
Arab ),
A mosaic panel of the Byzantine
period is also exhibited on the
floorand the
most beautiful statues
discovered in Latakia . |
| The
Doryphore Statue :
This
statue was found in1976 at
(El-Sheikh Dhaher) quarter –
Latakia, made from marble. The
preserved part of him is 150 cm
Height and his shoulders are 60
cm Wide, he is a copy of the
statue of the Greek artist (Polyeuktos)
from the fifth century B.C. The
artist made the statue's head,
the standard unit for the other
parts of the body. The statue
represents a young man carries
spear; he is characterized by
youth, force and beauty. He
stands up on the right foot
while the left leans on her
instep only.

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2-
First Gallery: includes marble statues
as well as silver, bronze, ivory and
bone antiquities.
First
Gallery
The
showcases of this gallery are
devoted almost entirely to the
marble , bronze and ivory
statues . Some marble and
limestone sculptures are also
displayed between the showcases
.
|

Bronze
bust representing
(princess ?). She is
beautiful and her
features express deep
meditation. Her hair is
wavy, plaited and
gathered at the back.
Her silk robe reveals a
slight part of her left
shoulder. A circular
frame in bronze
surrounds the bust.
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An
ivory curving.
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3-
Second Gallery:
comprises
terracotta statues and vessels
as well as a collection of
glassware. |
|
The
showcases of this gallery are
designed for pottery and
glassware . they
also show the development of
these two industries. Some
basalt sculptures are also
displayed .
Terracotta
figurine depiction
Nemesis, the goddess of
justice and vengeance.
She wears a long robe
and a head-dress. She
carries scales, symbol
of justice , in her
right hand and a wheel,
symbol of her changing
nature , in her left
hand .
H. 28 cm. |

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The
Phoenician Glassware:
Some scholars hold that
the origin of glass was
in Syria. There is the
often quoted story of
the Phoenician Sailors
and their chance
discovery of glass
through the combination
of fire, sand from the
sea-shore and snatronoda
from their cargo of
natron which let the
appearance of a
transparent liquid,
known later as
"glass".
The term
"Phoenician
glass" has been
given to flasks of
opaque glass resembling
the Greek marble
blasamariurn. The method
of manufacturing these
flasks is as follows:
They bring a metal rod
and fix clay and sand
round it. Then they
plunge it in an adhesive
glass paste. After the
rod is drawn out of the
paste, a thread of soft
glass is wound round it
until sufficient glass
has been gathered to
form the required shape
of the vessel. The glass
is then retreated and
rolled on a marble slab
to smooth and polish it.
Forms of decoration such
as the trailing of
colored lines of glass,
are applied, and further
marveling and light
raking with a comb treat
the typical feathered
decoration. Handles and
foot-stands are added
later with tongs.
Finally, the rod is
removed and the vessel
is left to dry. It is
interesting to note that
they continued to use
this method from the
14th century down to the
first century B.C. When
the Greek marble
basamariums appeared,
the glass-workers were
struck by their beauty
and began to imitate the
style of their
decoration. i.e.
coloured branches and
garlands.
The national Museum of
Damascus is considered
one of the riches
Museums of the world in
its collection of
glassware. Most of the
Museums of the world,
however, do have
important collections of
the Syrian glassware.
History has also
preserved to us the
names of a number of
glass-makers such as
Ennion or Artas etc. and
this suggests the extent
to which the glass
industry in Syria
flourished.

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4-
Wing of Antiquities of Hauran and of
Jabal al-Arab: includes as fine
collection of basalt sculptures.
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Since
the beginning of the second
century of the Christian era,
Hauran and Jabal al-Arab had
become important centres of
artistic creation. They have
left us masterpieces which have
made their contribution to
civilization. The sculpture of
this region is in basalt which
is too hard to cut. The artist,
however, was able to use this
stone and to
manipulate it to the form which
he desired so as to make ageless
masterpieces out of it. His
victory over this material was
the compensation of his patience
to achieve the artistic shape
which he had conceived and
dreamed to incarnate in the
world of matter. His works were
characterized by originality and
reflected the social life of the
age. They were, therefore,
marked by a local artistic
colour and a quality signifying
universal product. A number of
these sculptures have been
exhibited in this
wing .We shall explain
them after seeing the glass
pieces displayed In this hall
and with the other antiquities
discovered at Tell Um Hauran
near the village of Nawa.
|
| Glorifications
of the Earth :
Important
mosaic pavement representing a
vast allegorical scene
surrounded with a frame
ornamented with geometrical
designs. Its theme is related to
glorifications of the earth. In
the centre a woman appears
amidst her children, symbol of
the earth and its fruits. On the
left, we see a person holding a
wheel in his right hand, symbol
of the Time, behind him appears
four young girls incarnating the
four seasons. To their left
appears the goddess of
vegetation contemplating the
earth and its fruits. On the
right appears an artist modeling
a statue with the clay of the
earth and drawing his
inspiration from the beauty of
the spirit. In the upper part of
the tablet we sec heads of
children blowing what incarnate
the four winds. L. 332 cm. H.
272.5 cm.
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|
Mosaic
pavement representing the
Orontes :
On this mosaic, the Orontes
appears in a human form. He
holds the horn of abundance in
his left hand. On his right,
three children are approaching
him. On his left, we see two
other children. The children
symbolize the lands which are in
need of irrigation. The scene is
surrounded with three frames
consisting of stone, mosaic
cubes. These pieces have been
discovered by the
Directorate-General of
Antiquities and Museums in a
floor of a bath at the village
of Ghalline, Latakia.
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|
The
Marble Coffin (Troy):
Found
at Al-Rastan inside a cemetery,
in 8 / 4 / 1977 , from
Shamsigram the Arabian family
era, that ruled Al-Rastan and
Homs. Made from white marble ,
manufactured by an artistic
school Attica province and her
centre is Athens in Greece .
Engraved
on his cover a man with his wife
in situation of harmony, they
wear transparent garments; sit
on embroidered couch and scenes
from the naval banquet. The
coffin drilled from single block
of marbles, his three sides is
decorated by scenes from Iliad
and Odyssey between tow bands of
Greek decorations.
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In
the three scenes, the
front and the tow sides,
we can see three Greek
ships carrying Agamemnon
king of Sparta with his
soldiers and they
clashed with their
opponents, some of them
fallen and swords
penetrated the chests
the others .And Helen,
which was abducted by
Paris, appeared here or
maybe she is the victory
goddess. These scenes
symbolize that life is a
battle and the death is
a victory.
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In
the fourth side (the
back), tow Phoenixes
(Gorgons) was carved
analogous between tow
trees, between them
there is a round altar
with fruits above him.
Phoenix was put in
cemeteries for dismissal
evil spirits.
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Basalt
high relief depicting Hercules
in combat with a lion. Hercules
appears nude with strong
muscles, lie catches hold of the
lion neck. The lion stands on
its hind quarters and reclines
his front quarters on the leg of
the hero whose face reflects no
signs of effort. Found at Sweida.
H. 85 cm.
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Basalt
statue depicting Victory
standing on globe. She inclines
forward as if she were about to
fly. Her long dress has clasp on
the left shoulder. The dress
reveals the shoulder and the
right breast. There is a Greek
inscription on the lower part of
the globe read "Asmathos,
son of Solymos, has made this
statue at his own expense".
a Found at Sweida.
H. 108 cm.
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Basalt
statue depicting Minerva. The
goddess is standing on a
rectangular base. Her left foot
is inclining a little forward.
She wears a long pleated robe
with two clasps on the two
shoulders. The breast is
protected by armor decorated
with a Gorgon. The features
express seriousness. Her cur
wavy hair hangs down over the
back of her neck, and it is
topped by a high helmet. She
holds an oval shield in her left
hand. She raised her right hand
as if she were carrying a lance.
Found at Sweida. H. 150 cm
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5-
Wing of Antiquities of Palmyra :
contains masterpieces of Palmarene
Sculptures, a mosaic, and mural
frescoes discovered in the Temple of
the Palmarene gods .
|
Palmyra
occupies a unique place in the
history of the Arabs before the
advent of Islam. Its name is
mentioned in a tablets found at
Cappadocia and going back to the
19th C.B.C. It is also mentioned
in a text discovered at Mary and
dating back to the Period of
Hamrnourabi. Its name is
likewise mentioned in the annals
of the Assyrian King
Tiglath-Plaser I the account of
his campaign against the
Aramaean-Arab tribes in the 11th
C.B.C. It is only towards the
end of the Hellenistic Age that
Palmyra begins to have some
importance where we see Mark
Antony in 41 B.C. conducting an
abortive campaign her.
Palmyra,
however, maintained its
independence until the reign of
Trajan (98— 117 ). Hadrian
(1117 — 138.) might have given
the city
special
privileges. The inhabitants of
the city were exempted from
taxes in the period of Severuses
. In the period of dispute
between the Sasanids and the
Romans, the Palmyrenes displayed
courage and heroism in defending
their country under their chief
Udaynath whom
the
Romans had granted the title of
"Reformer of the whole
Orient ". After his
assassination, his widow Zenobia
began to rule after him in the
name of her minor son
Wahab-Allath, Zenohia’s
ambition provoked the Romans who
could exterminate the city of
the Palmyren Arab Kingdom after
tough battles in Antioch. Homs
and Palmyra in 272 AD. Despite
the fact that the Roman armies
under the emperor Aurelian (270
– 275 )
despoiled
Palmyra of its rich fabrics and
precious ornaments and did not
even shrink from destroying or
looting its statues, the remains
of the Palmyrene monuments
rendered the opportunity to the
specialists to determine the
following three stages of the
evaluation of the Palmyrene
sculptures:
- The
first Stage : Extends
approximately the year 100
A.D. up to the
year
150 A.D. In the course of
this period, the Palmyrene
sculptor represented the
pupil and the iris of the
eye in the form of two
concentric circles without
giving any attention to
clearly represent the
eyebrows. This success of
sculptor may be noted in
his
expression of the manhood of
persons and in giving to the
hair of men and women a
symmetric aspect.
- The
Second Stage: extends
approximately from 150 A.D.
to 200 A.D. In this period
the iris and the pupil of
the eye are represented in
the form of
circle
with a point In the middle.
The eyebrows are indicated.
The style became realistic.
- The
Third Stage: extends
approximately form 200 A.D.
to 270 A.D. The artist is
animated by showing richness
and luxury in creating
persons attired in sumptuous
clothes
and in sculpturing women
bedecked with a good number
of necklaces, ear-rings,
brooches, finger-rings,
bracelets and anklets etc.
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|

A
family from Palmyra |
On
the Wall:
Mosaic Panel representing a
scene of the myth of Cassiopeia.
Here she appears standing, nude;
drying up her hair. On each side
a Nereid is gazing at her in
astonishment. On the blank
space, are depicted three
infants incarnating jealousy.
On the Left appears the female
sea-monster which was sent by
Neptune. This myth evokes the
pride of Cassiopeia in her
beauty. This pride irritated the
gods. As such Cassiopeia had to
sacrifice her daughter Andromeda
whom Persus rescued by beheading
the Sea-monster and then by
supplicating Zeus to set
Cassiopeia among the stars after
her death. Found in a house of
the 2nd century A.D. in the east
of the Temple of Bel at Palmyra.
H. 16 cm. L. 370 cm.
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Funereal
bed from the cemetery of (
Lamliko ) ,there is sculpturing
on him for persons from the
deceased family ,and the scene
is a funereal banquet ,the
deceased shares with his family
in the food and on his hand cup
or bowl and he recumbent on
comfortable bed and dependent on
pillow, followed by his
father or his brother or his
older son ,his wife is at his
feet and the boys standing
between them . And the funereal
bed is raised on tow posts
between them the coffin front,
which support busts representing
some family individuals. |
Other
samples from The Palmyrene
Art :
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6-
HALL OF DURA-EUROPOS
This
city of Dura-Europos is
situated close to the
Syrio-Iraqi frontier. It
stands in a strategic
position of great
natural strength on a
rocky plateau. For this
reason, it has attracted
the attention of the
Ammorite ,Arabs, the
Aramaeans and the
Assyrians who made it an
important defensive
centre.
The
word Dura is believed to
be Aramaen. At the
beginning of the
Hellenistic Age, this
strategic position soon
developed from a strong
fortress to an important
city and was given the
name
of
Dura-Europos. The
foundation of the city
is attributed to the
Macedonian General
Nicator Seleucus. It was
once a city of military
and commercial
character. On the one
hand it constituted. in
fact, a border fortress
and on the other hand a
big market
on
the caravan routes
heading for Antioch the
then capital of Syria.
After
Arsaces. King of Parthia
had liberated his
country from the
Seleucids domination,
the rule of the Parthian
began in Dura in 247
B.C. Those Parthians ,
who considered
themselves the
heirs
of the Achemenids , took
advantage of this
dispute between the
Seleucids and the
Patolomies and began to
expand their empire.
When
Pampey put an end to the
reign of the Seleucids
in Syria in 64 B.C.,
Dura-Europos was under
the rule of the
Parthians. The Romans
could conquer the city
later on in 165 A.D. and
used it as a stronghold
on the eastern most
frontier of the Empire.
The Emperor Septimius
Severus could attack
Ctesiphon , capital of
the Parthians , from
Dura in 199 A.D.
When
the Arab Kingdom
of
Palmyra came into
existence as a force
having a military and
economic importance in
the Orient , Dura was
used as a fortress to
protect Palmyra’s
growing commerce. When
Shapur tried to attack
the Arab Kingdom of
Palmyra, he was beaten
back by the Palmyrene
Arab
troops who inflicted
serious losses upon him.
The Romans themselves
recognized the heroism
of the Palmyrene Arab
cavaliers particularly
their leader Hayran, son
of Uzaynath.
It
was the Sasanians who
captured and destroyed
this city shortly after
256 AD, so that their
enemies
might not use it as a
starting point in their
attack on their
dominions once more.
Dura thereupon succumbed
to the desert. Its ruins
were known to the
learned world only in
1920. The excavations
began actually in this
site in October, 1922,
where sixteen
temples
relating to the
different religions of
that period were brought
to light.
7-
HYPOGEUM OF IARHAI
THE
PALMYRENE

The
Hypogeum of Iarhai
is a fine example
of the Palmyrene
funerary monuments
. It was removed
from the Valley of
the Tombs in
Palmyra and was
reconstructed in
most parts in the
National
Museum of Damascus
in 1935.
The
stone door of the
Hypogeum consists
of two leaves.
Their outer
surface is carved
on the model of
the wood doors.
Ascending the
steps, the visitor
confronts a facade
consisting of two
niches, each is
topped by a shell
form, under which
are two reliefs
depicting the dead
at a banquet with
the members of the
family. |
|

To
the right, there
is a vaulted hall
ending with the
triclinium where
the sacristans of
the temple are
seen preparing the
funerary ceremony.
The
two lateral walls
have exedra
covered with stone
busts bearing the
reliefs of the
head. The
pilasters are
decorated with
flowers in relief.
One
of the stone busts
bears a portrait
in relief
depicting a
Palmyrene. He is
bearded, dressed
in a garment
topped by a
head-dress and the
right hand comes
out of it. The
nose is straight,
the eye-brows
long, the eyes
wide. The pupil is
represented by a
circle and the
eye-ball by a
point in its
middle. The curled
hair flows down to
cover the
forehead. The
features have
lifelike
expressions. H. 48
cm. W. 44 cm.
|
|

A
discovered
inscription points
out that the
Hypogeum was
founded by Iarhai,
Son of Barbaki, in
April, 108 AD. It
seems that the
members of his
family, his
grandchildren used
it in the second
and third century
of our era.
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8-
SYNAGOGUE OF
DURA-EUROPOS
The
Synagogue discovered in
Dura-Europos is one of
the temples of the
various religions
existing in Dura at that
time. It shows that
there were a few Jewish
families. Some were
Christians and the rest
of the population had
adopted other religions
prevailing in the Roman
Period.
The
building comprises a
court flanked by three
porticos, an aisle
reserved for the priests
and the rectangular
sanctuary measuring
13.35 by 7.70 m and 7 m
high. It has the main
dour in the middle for
men and a second smaller
door for women. The east
and west walls have
apertures to let the
light in. There are
benches fixed on the
floor to all the four
sides of the wall to
seat the worshippers.
Separate benches for
women are between the
two doors.
The
interior has mural
paintings in four rows.
The three upper rows
depict scenes from the
Old Testament, whereas
the lower one shows a
tiger, a lioness and a
mask not relating to the
upper scenes. The
ceiling of the Synagogue
is decorated with
terracotta square slabs
bearing motifs
incarnating flora in
human forms, or forms of
flowers, roses, fruits
and corn-ears etc.
The
murals of the Synagogue
have a marked local
touch. The Syrian
temples were decorated
with motifs unknown in
the temple of other
countries. The scene
which depicts a temple
is marked by the
Corinthian style which
was widespread in Syria
at that time.
Important
among
the unearthed
inscriptions is an
Aramaic text consisting
of 15 lines revealing
that the Synagogue was
founded in 556 of the
Seleucid Calendar i.e.
the second year of the
accession of Emperor
Philip the Arab to the
throne of Rome.

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9-
Wing of Jewels: contains
magnificent collections : necklaces,
ear-rings, pins, finger-rings, gold
leaves and precious stones.
10-
Gallery of Coins: contains fine
collections of Greek, Hellenistic,
Seleucid, Ptolemaic, Phoenician,
Nabataean, Roman, Palmyrene, Byzantine
and Venetian coins.
11-
BYZANTINE SYRIA
When
Syria came under the Roman rule.
various cults had been prevailing in
the East - The cults of Hadad, of
Atargatis, of Isis, of Mithra and the
mystery cults approving orgies
practised in a way condemned by the
ethical principles commonly observed -
Christianity rose as a factor to
liberate the country from the Roman
paganism and to save the human mind
from superstition. The Syrians found
in the teachings of Jesus what
disperses their spiritual darkness and
meets the social requirements which
they have been craving for. And it
also does revive in their souls the
rays of hope in an after life where
everlasting happiness be the lot of
righteous men. This may elucidate the
rapidity with which Christianity
spread among the quarters of the
Aramaeans in Damascus, Antioch, Edissa,
Dura Europos Apamea ... etc.
It
was in Damascus that St. Paul saw the
light of Jesus and had a dialogue it
and the result was that his enmity to
Christianity turned into belief in it.
lie was helped to escape the by the
Christians of Damascus.
In
Antioch, the first church was
established in 36 AD, wherefrom the
evangelists set out.
In
the reign of Constantine the Great
(274 - 337) the famous edict of Milan
was issued in 312 . The edict
recognized freedom of faith to the
Christians and made Christianity an
official religion. Despite the fact
that the historians alluded this edict
to political reasons, the foundation
of Constantinople as a new capital of
the Empire is a clear-cut proof of the
importance of the East. Eusebius (
265-340) who was educated at Antioch
and became a friend of Constantine.
turned out to
be the first ever ecclesiastical
historian.
In
386 St. Jerome (315 - 420 ) moved into
the Syrian desert to lead a solidarity
life. He was instrumental in
introducing monastic life into Syria
which asserts the belief that "
The beauty of spiritual values
persuades man to withdraw from this
mortal world and to suffer martyrdom
for the sake of these spiritual
values".
After
the death of Theodosius the Great (379
- 395), the Empire was split into two
halves: A Roman Empire of the West
under Honorlus. and a Roman Empire of
the East i.e. Byzantine, under
Arcadius (395 - 408) who lived at
Constantinople in a lofty palace
amidst a large entourage indulging in
luxurious life and moral laxity which
provoked St. John the Golden Mouth
(347 - 407 ). St. John led an ascetic
life and was celebrated for his
insistence on moral and social reform
and for his eloquent preaching.
In
the reign of Theodosius II ( 408 -
450) Nostorius of Cilicia was living
In a monastery near Antioch. The
Emperor saw in him The same promising
signs of St. John the Golden
Mouth, he was therefore, promoted to
the bishopric of Constantinople at a
time characterized by the appearance
of different religions tendencies. For
example Apollinaris bishop of Loadica
( Latakia ) stressed the human nature
in Jesus Christ. In his logic,
Apollinaris was using the Neo-Platonic
creed holding that the logos (word)
occupied in the divine person of Jesus
the place of the spirit which is the
highest part of man. Nastorlus, on the
other hand, held that in Jesus a
divine nature and a human nature were
united together in a perfect harmony
but not In the unity of a single
individual. Nestorius was accused of
dividing the person of Jesus and was
dismissed from his post. The third
Ecumenical Council of Ephesus (421 A.D.)
and the Council of Chalcedony
determined one nature and one
hypostasis in Christ.
The
national feeling in Syria took up a
religious expression. Those who
preached monophysitism under the
Syrian monk " Barsauma (457)
" began to propagate this creed.
All those who
were harbouring vindictive feelings
against the state policy soon
subscribed to the new doctrine which
was tantamount to the expression of
national conscience and an independent
trend of the countries. Emperor Zeno
tried to win the sympathy of
the Syrians and Egyptians in
order to put an end to their
dissatisfaction but with no success.
Anastat ( 491 - 518 ) also tried in
vain to please the followers of
monophysitism. The love of the Arab
East for the phenomenon of the unity
contributed to the spread of this
doctrine in Syria, Egypt and the
Arabian Peninsula. St. Simeon the
Stylites was one of those who believed
in this doctrine. The Arab Ghassanids
who left Yemen after the bursting of
Ma’rib Dam and headed north for
Syria, met their Arab brothers of the
tribes of Banu Salim and others. They
settled permanently in Hauran,
embraced Christianity and turned out
to be staunch adherents of this faith .
When
Justinus I ( 518 - 527 ) assigned his
nephew Justinian the task of fighting
the Sassanids,
this prince
passed through the city of Manbij and
got married there to a girl called
Theodora. This lady was endowed with
beauty and cleverness. It is said that
it was Impossible to describe her
beauty in words or to portray it. This
explains why Justinian
was very fond of her. The
emperor himself approved the marriage
and conferred upon her the epithet of
"Patricius". Spite and
rancour began to manufacture
falsehoods to tarnish the reputation
of this Syrian girl who was
characterized by broadmindness to the
extent that she became the first
adviser of her husband when he
succeeded the throne. She could, by
virtue of her courage, to rescue his
throne when the revolution of the two
disputing parties broke out. The
bodyguard of the Emperor failed to put
an end to the
sedition which amounted to an extent
that made the entourage to advise the
Emperor to escape after the rebels had
acclaimed Hibatius as Emperor.
Theodora turned to her husband saying
her proverbial phrase :(" This is
a circumstance which does not require
adherence to the old rule i.e. the
woman should not speak in the council.
Those who are interested in the matter
have the right to dictate what
the course of events should be
Every man must die Once. Death to the
kingsis far better than abdication and
exile. I hope that I would not see the
day in which my purple robe would he
snatched from me and not to be called
the first lady. Emperor: If you want
to save your life, it is very easy.
You have your ships, you have the sea.
As far as I am concerned, I agree to
the old saying " The Empire is
the best shroud for the dead ").
Justinian was affected by these words
and instructed his Commander
Belisarius to attack the rebels and to
put an end to the sedition.
In
the Byzantine age Chosroes desired to
asser his severalty over the East
after the troops of the Byzantine
Commander had beaten back the first
Sasanid attack. The sasanids renewed
their second attack in 541 A.D. in the
reign of Cosroes I Anu Sharwan
(531-579). Al-Harith II son af Jablah
the Ghassanid ( 529 – 569 ) had
already fought bravely al-Mundhir III
of al-Hirah. The Byzantine Emperor
admired al-Harith II and bestowed upon
him the epithet of Phylarch
and Particius. The Arabs regarded
these epithets as the title of al-Malik
(King) .
Chosroes
took advantage of the fight between
the Ghassrnids and their allies the
Lakhmids as good reason for his major
attack on Northern Syria. The attack
was a catastrophe on Manbij, Aleppo
and Antioch. He destroyed and looted
these cities and captured many of
their inhabitants. The Emperor
instructed his Commander Belsarius to
defend the Euphrates area and the
Ghassanids took part In the campaign.
In
562, Al-Harith II accepted the
invitation of the Byzantine Emperor
Justinian and visited Constantinople.
He was warmly received there and
appeared there in his bright Arab
costume and he left a lasting
impression on the courtiers to the
extend that when the chamberlains
wanted to quieten down the small
prince Justinus, they would simply
shout: Keep quiet! or else we call al-Harith.
Theodora
was one of the followers of
monophysitism. She did her level best
to achieve the victory of this creed
but in vain. The Ghassanid King met
her and agreed to appoint Jacob
Bardaeus
bishop of the Church of the
Monophysites. The Monophysites
suffered a serious loss with the death
of Theodora in 548 at a time when
Justinian was working for the
unification of Eastern and Western
Wings of the Empire. Justinian began
to adopt a policy of violence,
absolute power and intolerance against
any creed that does not agree with his
policy. This resulted in an
estrangement between the Byzantine on
one side, and the Monophysites and the
Ghassanids on the other. The
Ghassanids’ influence has spread
widely from ar-Rasafah in the North
until al-Petra and covered the areas
of Harran, as-Safa and al-Balqa’.
and Bosra became their religious
capital. The estrangement soon turned
into enmity to the extent that
Justinian II (565-578) decided to do
away with the influence of the
Ghassanid King al-Munzhir to meet the
Byzantine Governor in Syria to discuss
with him important issues. The message
sent to the Byzantine Governor reached
the hand of al-Harith by mistake and
he got to know the bad intention of
the Byzantine Emperor. He was hurt
much for this bad intention and
ingratitude towards the Ghassanids.
After a period of alienation
reconciliation was effected between
them.
The
Persians continued to raid
against Syria since 572 A.D.(
the reign of the Sasanid King Chosroes
II and the Byzantine Kings: Justinian
II, Tiberias II and Maurice 582 -
602). The Ghassanids fought on the
side of the Byzantines against the
Sasanids and their allies, the Arab
Lakhmid-Mundhirites.
Al Mundhir ibn al-Harith II (590)
managed to burn the Lakhmid capital.
The Byzantines. however, remained on
their guard against the Ghassanids who
became influential and supported the
adherents of Monophystism. This may
explain why the Byzantine governor in
Syria extended an invitation to the
Ghassantd King and his sons to attend
the dedication of the Huwarin Church
in 582, while attending the function,
the Gassanid King was arrested and
sent with his wife and children into
exile to Constantinople and then to
Sicily. Al-Numan ibn al-Mundhir was
also arrested by a similar device and
was sent to Constantinople at a time
when the Sasanid danger died out. A
civil war broke out in Persia and
Chosroes had to effect a
reconciliation with Maurice, the
Byzantine Emperor, but Chosroes II
swept over the country (A.D. 608)
carrying destruction wherever he
passed. At that time Meraclius headed
for Constantinople where he was
crowned there in 611.
The
Sasanids had ruled al-Hirah after the
death of King al-Nu'man . The Arabs
rose against them and against their
hireling lyas ibn Qubais (602 - 611)
and achieved their best victory over
the Sasanids at the famous battle of
Dhi Qar. The Sasanid Commander Shahr
Baraz headed for Central Syria in 613;
captured Apamea and destroyed it. He
also attacked Antioch and could
capture Damascus itself and to march
on towards Jerusalem which he
conquered and put a garrison there.
The citizens wiped out this garrison,
an act which provoked Shahr Baraz who
returned and killed the people of
Jerusalem and drove its patricians
into exile.
From
556 A.D. the Byzantine Empire became
very weak because of the spread of
disease, the excessive taxed and he
earthquakes. The citizens were
desperate to the extent that they
considered these misfortunate a signal
for the approaching end of life in
this world.
To
add fuel to the fire. Chosroes had
sent Heraclius a letter worded in
vainly, pride and insolence. The
Emperor swore to march to the
battlefield at the head of his troops.
In revenge for the insults, Heraclius
overturned the altars of the fire-
worshippers at the capital of Media
and the city of Zoroaster.
The
attention, however was then shifted
towards the two Byzantine and Sasanid
capitals. The question being asked at
that time was: " Who will be the
master of the East?" Until then,
no one expected that the disputing
Arab tribes will be unified by the
Call of Muhammad to the faith of the
great Creator. His sacred books and
His messengers at a time in which
dissatisfaction reached an extent that
made the people consider the acts of
the Sasanids as those of highway men.
The Syrians found the power of their
next of kin in the Arabian Peninsula a
salvation from foreign oppression.
When the Arab army met the Byzantines’,
the former appeared very strong and
seeking martyrdom for its belief,
while the Byzantine array fought
indifferently and without any
enthusiasm. The Syrian Arabs were
given assistance from the Syrian
brothers and as such the Arabs under
Abu Ubaidah and by the assistance of
the Syrians who resented the Byzantine
rule, were able to liberate Bosra. The
Byzantines failed to recover that city
in the batt1e of Ajnadeen which made
Heraclius feel dispaired and later on
he sent all the legions to the East to
fight but all his efforts were of no
avail. The Byzantines attempted to
resist at Damascus, but the natives
who were distressed of the Byzantine
rule helped the Arab brothers to enter
the city in 635. They also helped them
in the
liberation of Homs, Hama ,Ba’albak .
Heraclius had to withdraw for good
from Syria and to bid her fare-well in
proverbial words. And from that time
on a new Arab era started making Syria
the starting point for the liberation
of Iraq from the Sasanids
and for the spread of a Muslim
Arab civilization .
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12-
Garden of the Museum:
contains large-sized
sculptures.
Prominent
The
lion of Latakia, some
Sarcophaguses, mosaics
and statues.
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In
the garden of
the Museum
amongst the
flowers, trees
and long
paths, the
antiquities of
considerable
dimensions
, are
displayed.
Here the
beauty of
nature is in
harmony with
the beauty of
the creative
works of man.
The garden
looks as If it
were a museum
in the open
air.
There
are steles,
doors,
windows,
mosaics,
capitals,
sarcophaguses,
statues of
Palmyrene
style
and
other statues
of
considerable
dimensions
made of basalt. |
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Big
sand-stone
statue
depicting a
lion opening
its
mouth as if
she were
roaring. It
stands on its
front limbs,
between them,
appears a head
of a bull
which is all
that remained
of its prey.
Found at
Latakia . |
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Sand-stone
Roman
sarcophagus
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Sand-stone
of Palmyrene
style
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